Years after retiring from an illustrious career as a stylist, Simon Foxton was lured back into image-making by fresh new faces. The only catch is, they don’t exist.
Phil Bicker on the pioneering fashion magazines that have fostered the careers of many major photographers and stylists.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.